In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
Another dazzling suburban phantasm from writer-director Todd Haynes, Dottie Gets Spanked (made post-Poison and pre-Safe) is a stylized, bittersweet nod to his childhood fascination with I ... See full summary »
J. Evan Bonifant,
Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan's music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin' Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won't be classified.Written by
The man in the viking outfit and café Wha? seen in the beginning sequence of the film are all references to Bob Dylan's first experiences playing music in New York city. The man in the viking outfit was Moondog, a blind poet Bob Dylan was associated with, and café wha? was where Dylan began playing music in New York. All of this information is shared in Dylan's book "Chronicles volume I". See more »
During the sequence when Robbie and Claire buy the motorcycle, Robbie gets out of the car to sit on the motorcycle and even though he locks the car, he leaves the headlights on. See more »
There he lies. God rest his soul, and his rudeness. A devouring public can now share the remains of his sickness, and his phone numbers. There he lay: poet, prophet, outlaw, fake, star of electricity. Nailed by a peeping tom, who would soon discover...
A poem is like a naked person...
Saw this at the Toronto Film Festival. I really liked it, although maybe the Richard Gere scenes are the one's to skip, though it's not really his fault. Cate Blanchett is getting a lot of buzz for her performance, and she deserves it. The actors are all playing versions of Dylan, though their characters have different names. Blanchett plays an incarnation of Dylan that would be right around the time of "Don't Look Back".
Although I think Todd Haynes is mostly successful here, I fear that this will be a film that will really interest people who already know about Bob Dylan, and that it will sort of fly over the heads of everyone else. A good movie, and a nice place to start if you're a young movie lover who wants to expand and see something less conventional.
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