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The Great Ziegfeld (1936)

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Title: The Great Ziegfeld (1936)

The Great Ziegfeld (1936) on IMDb 6.8/10

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Won 3 Oscars. Another 1 win & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
William Powell ... Florenz Ziegfeld Jr.
Myrna Loy ... Billie Burke
Luise Rainer ... Anna Held
Frank Morgan ... Jack Billings
Fanny Brice ... Fannie Brice (as Fannie Brice)
Virginia Bruce ... Audrey Dane
Reginald Owen ... Sampston
Ray Bolger ... Ray Bolger
Ernest Cossart ... Sidney
Joseph Cawthorn ... Dr. Ziegfeld (as Joseph Cawthorne)
Nat Pendleton ... Sandow
Harriet Hoctor ... Herself
Jean Chatburn ... Mary Lou
Paul Irving Paul Irving ... Erlanger
Herman Bing ... Costumer
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Storyline

At the 1893 Chicago World's Fair, sideshow barker Flo Ziegfeld turns the tables on his more successful neighbor Billings, and steals his girlfriend to boot. This pattern is repeated throughout their lives, as Ziegfeld makes and loses many fortunes putting on ever bigger, more spectacular shows (sections of which appear in the film). French revue star Anna Held becomes his first wife, but it's not easy being married to the man who "glorified the American girl." Late in life, now married to Billie Burke, he seems to be all washed up, but... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

The Sensation of the Century! See more »


Certificate:

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Parents Guide:

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Details

Country:

USA

Language:

English

Release Date:

8 April 1936 (USA) See more »

Also Known As:

El gran Ziegfeld See more »

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (roadshow)

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

William Powell was loaned by MGM to Universal for the film, but Universal sold the film to MGM when costs mounted. Powell made My Man Godfrey (1936) for Universal instead. See more »

Goofs

At the Chicago World's Fair, as the Great Sandow (Nat Pendleton) lowers the barbell with the ladies inside, it lowers at a controlled rate, rather than as if a man was actually handling it. See more »

Quotes

Burlesque Prima Donna: Once in burlesque, always in burlesque, unless you got looks, or a voice, or something.
Fanny Brice: Well, that's what I got, kid.
Burlesque Prima Donna: What?
Fanny Brice: Something.
See more »

Crazy Credits

The opening credits display the title of the film and the names of the stars in marquee lights, as they would be on Broadway. See more »

Alternate Versions

The DVD release runs 185 minutes, and includes the overture, entr'acte and exit music, as presented in the original "road show" version of the film. See more »

Connections

References Show Boat (1936) See more »

Soundtracks

It's Been So Long
(1935) (uncredited)
Music by Walter Donaldson
Lyrics by Harold Adamson
See more »

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User Reviews

 
Jeez Luise
17 December 2002 | by marcslopeSee all my reviews

Before anybody goes on for one minute more about how brilliant Luise Rainer is as Anna Held, let's remember that she took the Oscar from Garbo's Camille. I mean, come on. Rainer is pretty and her instincts are right, and her famous "telephone scene" expertly employs the old smiling-through-tears device. But it's hardly as challenging a role as Marguerite, and Rainer's undeniable Continental charm can go only so far.

The movie itself is a corker. William Anthony McGuire's screenplay is far above average for this musical-biography genre; it's full of smart wisecracks, and while it heavily fictionalizes Ziegfeld's life and persona (it makes him much more suave and irresistible than he was), it gets the big things right: his invention of the big musical revue, his obsession with glorifying the American girl, his unparalleled showmanship and eye for talent.

Speaking of talent, you get a full, uninterrupted, great Ray Bolger number, several clever and lavish production numbers, and a snippet of Fanny Brice (but cutting away from her "My Man" is unforgivable). The actors playing Eddie Cantor and Will Rogers are amusingly terrible. And Virginia Bruce is memorably nasty as a temperamental showgirl.

The Academy named this Best Picture of 1936. And you know, it probably was.


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