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In London, sculptor Ivan Igor struggles in vain to prevent his partner Worth from burning his wax museum...and his 'children.' Years later, Igor starts a new museum in New York, but his maimed hands confine him to directing lesser artists. People begin disappearing (including a corpse from the morgue); Igor takes a sinister interest in Charlotte Duncan, fiancée of his assistant Ralph, but arouses the suspicions of Charlotte's roommate, wisecracking reporter Florence.Written by
Rod Crawford <firstname.lastname@example.org>
The morgue set was recycled from the laboratory set in the earlier "Doctor X," also a two-strip Technicolor horror film directed by Michael Curtiz and starring Lionel Atwill and Fay Wray. See more »
Early in the movie, the shadow of the camera is visible on the road as the man crosses the street, and then again when Charlotte walks into the police station, this time on the backs of chairs and on the table. See more »
[talking about their financial situation]
I don't hope to impress you, but I've got to tell you we haven't a farthing.
That is unfortunate.
You're right it's unfortunate, 15,000 pounds it's cost me and you say it's unfortunate as though I've spilled soup on my vest.
Your money may have been very well invested you never know, something important may come of all this.
Something important has got to come of all this, you know the rent on this place isn't paid?
Is that a fact?
No I'm lying to amuse ...
[...] See more »
This film is full of unexpected twists and turns as should be any good mystery. When bodies begin disappearing, a desperate reporter finally hopes to get the break she needs to keep her job by attempting to unravel the mystery. She soon finds herself investigating a new wax museum which just happens to have a woman figurine of Joan of Arc which greatly resembles one of the missing bodies named Joan Gale. From there things continue to unravel and conclude in surprisingly horrific fashion for the time and era.
The Horror is there in terms of the mysterious burnt figure we see snatching the bodies as well as many other strange figures often seen only in menacing shadow.
The acting is superb. Lionel Atwill is outstanding in the role of Ivan Igor-the owner of the new wax museum who is trying to recapture his past loss. Fay Wray is stunningly beautiful in her short role as Charlotte who finds herself in a whole lot of unexpected trouble. Glenda Farrell also adds considerable energy as the female reporter--a character which unfortunately became much too common and stereotypical in this period of film. Nonetheless Farrell is quite competent in the role and definitely adds her own stamp to it.
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