A film crew goes to a tropical island for an exotic location shoot and discovers a colossal ape who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
Kong falls from the twin towers and he appears to be alive. However, his heart is failing, so it's replaced with an artificial one. All is well until he senses that there's a female Kong somewhere out there and escapes wreaking havoc.
Carl Denham needs to finish his movie and has the perfect location; Skull Island. But he still needs to find a leading lady. This 'soon-to-be-unfortunate' soul is Ann Darrow. No one knows what they will encounter on this island and why it is so mysterious, but once they reach it, they will soon find out. Living on this hidden island is a giant gorilla and this beast now has Ann in it's grasps. Carl and Ann's new love, Jack Driscoll must travel through the jungle looking for Kong and Ann, whilst avoiding all sorts of creatures and beasts.Written by
The LaserDisc edition of the film includes the first audio commentary. See more »
(at around 1h 35 mins) As Kong is atop the Empire State Building and just as he is getting shot for the final time, the thin shadow of 'something' is cast across his chest. Naturally if he is up as high as the top of the building there shouldn't be anything that would be able to cast a stable shadow across his chest - unless it is a piece of off-screen equipment that happens to lie between Kong and the lighting. See more »
Opening Card: And the prophet said: "And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead." Old Arabian Proverb See more »
Other than the sequence where Kong pulls Fay Wray's clothes off, here are the other scenes that were cut in the late '30s, and not restored until the '70s:
All scenes of the Brontasourus biting sailors, including the sequence where a sailor climbs to the top of a tree, and soon, a dinosaur comes and takes him away in his mouth.
Kong biting and chewing natives when he breaks through the gate on Skull Island, and squashing one under his giant foot.
Kong biting a New Yorker when he escapes from the theater.
Kong picking a sleeping woman from her hotel room, inspecting her and upon deciding that she's not Ann throwing her to the sidewalk several stories below. Though these scenes were fully restored in 35mm to the 1972 re-release, some prints in the 1960s used 35mm blow-ups of an old uncensored 16mm print to restore the shots, creating a noticeable drop in quality. The 1972 restoration gets the censored shots that were discovered in an uncut British 35mm print from 1933.
I could never tire of this movie, i've seen it so many times and always watch it when it's on tv-in fact i watched it just a week ago! It's one of those films that is rewatchable countless times, like many other 'monster' movies. But this is the best 'monster' movie , it is so well made-it is a masterpiece. Everything is right-the effects,the photography,the score,pacing,continuity. My favourite part would be the big middle chunk on the island. Ann captured-natives dance-a sacrifice to kong-rescue mission-defeat of stegasoraus-swamp adventure-swamp escape-log catastrophe-trex battle-snake creature fight-pterydactil disposal-rescue/escape-kong wrecks village-gas bomb. There is almost no let up in the action in this sequence. I have seen two versions of the film though. One was cut, the other wasn't. Some scenes that were cut: kong pulls a native out of his hut and stomps him into the mud. Brilliant. Also the bits when kong chews a native, and when he chews on a new yorker. And when he throws a woman down from a scraper into the street. Needless cutting in my book. A lot of people complain about the acting. The acting is swell. Robert Armstrong is perfect as the over enthusiastic director who is completely responsible for the deaths of hundreds of innocent people but has absolutely no scruples about it. He provides the silent chuckles of the movie e.g my one line summary is actually what denham says when he sees the savages and their dancing. And Bruce Cabot to Fay Wray: ' hey, i guess i love you!' in a moment of clarity. Overall a smashing film with a great climax. And kong is supposed to have the hots for fay wray too when he plays with her and her clothes
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